Last night (this morning?), I wound up falling asleep in front of the tv while Equus was showing on TCM–not because I was bored, but because I was just flat out tired. I woke up in time to record Summer Wishes, Winter Dreams and since Alfred Hitchcock’s Shadow of a Doubt (1943) immediately followed it, I figured I’d watch it.
Shadow of a Doubt is my favorite Hitchcock movie, mainly because of the strong performances by Joseph Cotten (who was my first, big classic movie star obsession) and Teresa Wright*. If you’re a movie fan, classic or modern, you probably know the story: Uncle Charlie (Cotten) comes back to his old hometown of Santa Rosa to visit his sister and her family. There’s also “Little” Charlie (Wright), who loves and adores her Uncle. As the movie progresses, Charlie discovers that her beloved Uncle might not be what he seems to be–is he the notorious Merry Widow strangler that preys on old, rich women? Or is he an innocent man, wronged by the law?
I’ve seen this movie countless times and one scene in particular always catches my eye: it occurs in the garage, when Charlie is alone with Jack Graham (Macdonald Carey), a detective who was sent to Santa Rosa in search of Uncle Charlie.
In the scene, Graham asks Charlie if she’d be interested in pursing a relationship after the whole Merry Widow mess has passed over. Charlie doesn’t jump at the chance. If anything, she rejects him–she tells him she’d like to be friends though (a modern response in 1943!). While it’s not a flat out rejection, there’s certainly a sense of hesitation and even trepidation at the idea. Every time I talk about this scene, I like to imagine that Charlie is thinking, “Are you nuts? You’re thinking about romance at a time like THIS? My psychopathic uncle is on the loose and you’re thinking about ways of getting into my dress!” And how in the world would Charlie tell her kids about how they met? “I met your father when he was trying to arrest Uncle Charlie for strangling widows.” Yeah, that will go over really well.
What I always find odd about this scene is that, yes, Charlie does reject him. In most classic movies, the heroine immediately falls in love with the man who becomes her savior and right before “The End” pops up on the screen, you’re usually treated to a scene where the new couple get married or passionately embrace. Shadow of a Doubt is one movie that goes against the standard idea of Hollywood romance.
I’ve always felt that Teresa Wright was an odd leading lady for a Hitchcock film. She’s not sexy or dangerous like Ingrid Bergman in Notorious or a cool, detached blonde in the Grace Kelly vein. But that’s what makes Wright essential to the plot. She’s cute and all-American–the kind of girl you could bring home to meet your parents. Santa Rosa is the kind of town where you can imagine a girl like Charlie and her family living. Innocent, sweet suburbia where the biggest scandal might be a controversy at a pie-eating contest. By all means, Charlie is the type who should immediately fall in love at the drop of a hat. After all, that’s what happens to those girl-next-door types. They fall in love, get married and pop out some kids.
But unlike other hometown girls, Charlie is now suddenly faced with the idea that her favorite Uncle (and one that she’s named after!) may be a murderous psychopath. She’s agitated–she asks her mother not to hum the “Merry Widow Waltz” because it bothers her so much. How can Charlie fall in love when a family member thinks that strangling rich, fat women is a good idea? Love pales in comparison to murder. Her whole world is shaken and nothing will ever be the same, even if Uncle Charlie is innocent. As he tells her, “I brought you nightmares…How do you know what the world is like? Do you know the world is a foul sty? Do you know, if you rip off the fronts of houses, you’d find swine? The world’s a hell. What does it matter what happens in it? Wake up, Charlie. Use your wits. Learn something.”
Thanks to Uncle Charlie, her brush with the darker side of life will always lurk in the back of her mind. Every time she thinks about her Uncle, Graham, the Merry Widow Waltz or even some of the various situations that are sprinkled throughout the film, Charlie will always be reminded of how much pain this whole situation brought into her life. In the garage scene, Graham is fully aware of this scenario but he can’t help himself: he tells Charlie that he loves her. And yet, she can’t reciprocate. She knows she likes him as a friend, but it’s just too soon to move forward romantically. There’s just too much going on in her mind.
Or is Charlie beginning to distrust the men in her life? Her father and next door neighbor, Herbie (played by Hume Cronyn) constantly play games of imaginary murder with one another. While this was humorous in the past, her sudden discovery of Uncle Charlie’s secret life now brings those innocent games into a sinister light. Who wants to joke about murderers and their evil ways when you have the real thing sitting right there in your living room?
And how does she know that Detective Graham can be trusted? After all, she trusted her Uncle and now her world is upside down. By posing as someone he’s not, Uncle Charlie has betrayed her and the family. He’s an impostor. How does she know that Graham isn’t an impostor as well? She’s only known him for a few days and his business revolves around murderers and criminals. He’s associated with the seedier side of life and while he doesn’t seem to be affected by it, can Charlie be assured of a good future with him? Thanks to her Uncle, she’s learned that you can know someone your entire life and not really know them at all.
It’s ironic that it’s emerald ring that Uncle Charlie presents to Charlie at the beginning of the film, is what severs the final ties between them. As she comes down that staircase, ring on her finger and defiantly staring Uncle Charlie in the eye, he knows that his niece has had it with him (what else do you want after two murder attempts?). Charlie doesn’t want his help or his friendship–she just wants him out of her life forever. He has brought her nightmares, terrible ones at that, as well a permanent scarring for life. His secret will never be safe as long as Charlie is alive. She’s taken his advice, used her wits and learned something: that her once beloved Uncle is nothing to her anymore. The only reason Charlie is keeping quiet is because she doesn’t want to break her mother’s heart. Why should her life be ruined as well?
What I love about Shadow of a Doubt is the atmosphere of the entire film. The shattering of innocent suburbia as well as Charlie’s womanly awakening. She knows that everything is in life isn’t going to be wonderful and perfect like your parents or the movies want you to believe. Life is hell. There will be rough patches and everyone goes through tragedy at some point in their lives. But you have to adapt and find ways to survive because if you don’t, you’ll wind up at the lesser end of it all.
For most filmgoers, movies are a sense of escapism from real life. You want to see that happy ending, the girl getting her man or the innocent criminal being saved from the electric chair at the last second. Hitchcock brought the idea of small town tragedy and scandal to the screen in a beautifully sophisticated way. It’s a movie that delivers time after time not only in part to the writing and direction, but because of the characterizations brought forth by Joseph Cotten and Teresa Wright.
Speaking of which, I like to think that Teresa Wright’s portrayal of Charlie is one of the first modern feminist heroines to ever grace celluloid. She didn’t need Graham or anyone else to save her. No, thanks to Uncle Charlie and his dark view on life, all she needed was herself.
*Sadly, Wright never appeared in another Hitchcock production, but Cotten** appeared in one more–the 1949 period drama, Under Capricorn. According to his biography, Vanity Will Get You Somewhere, Cotten mentioned that he accidently called this film “Under Cornycrap” right to Hitchcock’s face and therefore, never worked in another of his films again. Oops.
**Also, it’s CottEn. Cotten. Not Cotton, like the fabric. There’s an E in his last name. It drives me nuts whenever I see it misspelled.
Note: Over on archive.org there are numerous pages for the old time radio show, Lux Radio Theater. Here is the page for the 1944 episode of Shadow of a Doubt, which features William Powell (who was rumored to be the original choice for Uncle Charlie!) and Teresa Wright.
Also, I should be getting my links sidebar up this weekend, but I wanted to post a link to this “Blog Carnival” that I’m participating in. It gathers up a bunch of different blog posts and lists them in one place. This week, I chose my “Dirty Dozen” post to be featured and the host of the blog also chose a great You Tube clip from the movie to go with it. Thanks!
The Roadshow Version 